Exploring cultures and communities – the slow way

Famagusta, on the east coast of the Turkish Republic of Northern Cyprus, was once a great trading outpost of the Venetian world. Great churches have been converted to mosques and the city is now very Turkish in demeanour. Laurence Mitchell reports from a city full of the ghosts of history.

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For students of theatre, the town of Famagusta suggests just one thing - Othello. The setting for Shakespeare's play about the troubled Moorish king was described as "a seaport in Cyprus" and, although the Bard never ventured here, Famagusta fits the bill perfectly in terms of both geography and history. The modern town even boasts an 'Othello's Tower' if anyone were still in doubt. But putting fiction to one side, Famagusta is a town that is rich with ghosts from the real past - fertile ground for any number of playwrights, historians and travel writers with a taste for the lugubrious.

But you will search in vain for Famagusta on many modern maps of Cyprus. Today it is Magusa, or Gazimagusa - 'Veteran' Magusa - in Turkish and Ammochostos in Greek.

The community was founded as a fishing village around the third century BC, and later developed as a port, profiting from the demise of nearby Salamis. Famagusta has variously enjoyed or suffered Lusignan, Genoan, Venetian, Ottoman and British occupation over the centuries. For fourteen brief years (1960-1974) it was part of a unified Cyprus before fighting between Greek and Turkish factions tore the island in half. The ancient port found itself part of the Turkish sector. The town, generally referred to as Magusa these days, lies at the southeast extremity of what is now the Turkish Republic of Northern Cyprus (TRNC, or KKTC in Turkish - Kuzey Kibris Türk Cumhuriyeti) a de facto state that is yet to be recognised by any country other than Turkey.

Magusa is well connected to both the TRNC capital Lefko?a and the coastal tourist resort of Girne (Kyrenia) by regular minibus services. The journey from Girne passes through a stark landscape that brings to mind the Middle East as much as it does the Mediterranean - as well it might for the Levant shore of Syria lies not far away to the east, far closer than Athens or even Ankara. Girne's outskirts reveal sundry new development geared towards the island's growing British expatriate community: the tastes of suburban Essex transported to a sunnier clime. There are supermarkets that advertise the availability of 'pig meat', furniture showrooms and estate agents, along with fish and chip outlets with terrible punning names like 'The Cod Father'. That one boasts awnings embellished with cartoon fish wearing fedora style gangster hats and wielding machineguns. With casinos thick on the ground too, chips play an important part in the new Cyprus in more ways than one.

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Laurence Mitchell became a travel writer almost by default having squandered his youth travelling in North Africa and India. Following a stint teaching in Sudan, he went on to train as a geography teacher, which he pursued for a decade or so.

These days he concentrates on writing and photography and, while still drawn to transition zones and cultural frontiers like Central Asia, the Balkans and the Caucasus region, is increasingly more content to explore closer to home. He loves ancient tracks, moss-covered ruins, graveyards and allotment gardens, and believes it is possible to find the extraordinary in even the most quotidian surroundings.

Despite a slight distrust of guidebooks, he has contributed several of his own to the world's literary stockpile – Bradt travel guides to Serbia and Kyrgyzstan, ‘slow’ guides to Norfolk and Suffolk (also Bradt), and walking guides to Norfolk and Suffolk for Cicerone. His travel memoir Westering, which describes a coast to coast walk across England and Wales that connects landscape, memory and spirit of place, will be published by Saraband in April 2021. Visit Laurence's blog.

This article was published in hidden europe 25.